Right.

That may also apply 2 other posts in other threads.

We cannot answer general questions with specific answers.

The pros here will not answer if they have 2 pull the info out of the initiator in hours of 3rd degree interrogation and torture.

Ppl r missing good answers from experienced pros and they don’t even realize it.

Pls try 2 b professional when asking. Don’t instruct ppl what 2 answer.

The only way I can answer ur Q in that form is:

“Tune the snr 2 ur liking, place the mic near the snr, move it around till U like the sound, eq if needed, compress if needed”.

JIJO = Junk In, Junk Out.

Peace,

Zooot

ציטוט:

בתאריך 2002-05-09 11:50, The Mix כתב: מיקרופון שלישי מביט מצד הפלור טום אל הסנר ממש מעל השפה ובמרחק תואם למרחק המיקרופון הראשון מהסנר.

U mean the second mic. I believe Fletcher recommends panning the 1st mic 2 the centre, 2nd 2 the left, 3rd 2 the right (or vice versa 4 audience’s perspective).

That’s Y the 2nd and 3rd mics got 2 b equidistant from the snare, in particular the point where the drummer hits the skin.
A shift in mic distance will create a shift of the snr in the stereo image.
Y’all can find more info @ Fletcher’s site.
If U’re broke don’t go shopping around, this site may break ur heart.

This method works ONLY with very good drummers (John Bonham being 1 of them)
and good sounding kits cuz the balance gotta b perfect.

A good room can help cuz U’ll get lots’o’room sound this way.

The 1st thing U’ll notice with inexperienced drummers is that the cymbals and HH r played WAY 2 LOUD.
This is the oldest debate between engineers and drummers. I mentioned it in 1 of the previous threads, pls search.

The kit’s tuning is crucial. @ ur convenience here’s The Drum Tuning Bible .

Peace,

Zooot

: `californiacation-rhcp` D a small seceret from the drums recording of
use 1 57 under the snr.
use one 57 on top.
and a km84 allso on top.
(i usely phasing the top mic...)`